Self Reflexive - 1132 Words

Movies and Meaning – Summary Chapter 8 – Modes of Screen Reality Pages 289-325 Key Outcomes †¢ Explain the basic modes of screen reality. †¢ Describe the principles of narrative, character behavior, and audiovisual design that operate in each mode of screen reality. †¢ Differentiate ordinary fictional realism, historical realism, documentary realism, and fictional documentary realism. †¢ Distinguish two modes of cinematic self-reflexivity. †¢ Explain why multiple modes of screen reality are possible in cinema. Key Terms †¢ screen reality †¢ realism †¢ expressionism †¢ fantasy †¢ cinematic self-reflexivity †¢ ordinary fictional realism †¢ historical realism †¢ documentary realism†¦show more content†¦Expressionism Overview: Expressionism is an extremely stylized mode of screen reality in which filmmakers use visual distortion to suggest emotional, social, or psychological disturbances or abnormalities. The distortions may be subtle, but often emphasize strange or bizarrely poetic artistic designs. The camera work (lighting, angles, lenses, etc.) often enhances the de-centering of the screen world. Classic German Expressionism: Expressionism in its purest form is found in 1920’s German cinema, in which case it was overtly opposed to realism, emphasizing elaborate distortions in the mise-en-scene. Contemporary Expressionism: Most easily found in the films of Alfred Hitchcock (Psycho, e.g.). Hitchcock employs low angled shots, close-ups and other camera tricks in order to accent the viewers’ perception of the subject and the overarching themes. Other contemporary expressionists may include Spike Lee (Crooklyn) and Tim Burton (any film of his). Fantasy and the Fantastic Overview: Though many filmmakers my employ expressionistic techniques in what we would consider an essentially realistic film, in films which employ a fantasy or fantastic mode, settings and subjects, characters, and narrative time are often displaced from the viewer’s own realm into other realms, sometimes futuristic ones, whose normal laws of time and space may not apply. Characters might have superpowers,Show MoreRelatedSelf Reflexive Aspects of Singing in the Rain Essay2215 Words   |  9 Pagestexts self-reflexivity with specific reference to genre and adaptation. Self-reflexivity is a term used to describe a text which refers to its own making and composition. A self-reflexive text emulates its own generic make up and makes talking about or referring to itself the key focus of the unfolding narrative. Self-reflexivity has been used as a framework to analyse film genre and narrative, highlighting the conventions that make up textual and stylistic constructs (Altman 1999, p.102). Self-reflexiveRead MoreJean Luc Godards Weekend as Didactic Self-Reflexive Cinema1916 Words   |  8 PagesJean Luc Godards Weekend as Didactic Self-Reflexive Cinema According to Stephen Prince in Movies and Meaning: an Introduction to Film, Screen Reality is a concept that pertains to the principles of time, space, character behavior and audiovisual design that filmmakers systematically organize in a given film to create an ordered world on-screen in which characters may act and in which a narrative may unfold.(262) One mode of cinematic screen reality is self-reflexivity. While the other three modesRead MoreNo Need For The Lex Syn Parameter1155 Words   |  5 Pagesreflexivization should apply in the lexicon or in the syntax. Specifically, according to RS, in languages like English where the parameter is set to â€Å"lexicon†, reflexivization of ECM verbs or of a dative argument is prohibited while nominalization of reflexive verbs is allowed. This is shown in (1), (2), and (3), respectively. (1) *John considers intelligent. (Intended: ‘John considers himself intelligent.’) (2) *John sent a letter. (Intended: ‘John sent a letter to himself.’) (3) She dresses slowly becauseRead More Jean Luc Godard?s Weekend as Didactic Self-Reflexive Cinema Essay1878 Words   |  8 Pagesof cinematic screen reality is self-reflexivity. While the other three modes of screen reality seek to sway the audience into accepting the authenticity of the world and the story that are on screen, the self-reflexive style deliberately attempts to tear down the illusion of the cinema. In doing so, it reinforces the awareness that film is socially and culturally constructed and that at its core, film is art, not reality. There are two purposes in using self reflexive techniques, either for comedyRead MoreSelf Conscious Concept Of Self Consciousness1177 Words   |  5 Pages Self-Conscious of the Self-Consciousness within a Self-Conscious Julissa Almonte Santana Salem College Fall 2016 When introducing the concept of self-consciousness, it can be very difficult for individuals to understand that there are many forms of self-consciousness. Many already have a definition in mind as soon as they hear the word self-consciousness. It is made up of many concepts because it isn’t just a cognitive state, rather, many cognitive states. The mind processes many things as opposedRead MoreThe Myth Of The Ant Queen By Steven Johnson1753 Words   |  8 PagesMyth of the Ant Queen†, Steven Johnson explains the concept of self-organizing systems which describes how systems form to have patterns of order. These self-organized systems are formed unconsciously and are able to be seen within everyday life. Dissociation and its effects are both conscious and unconscious. Both dissociating brains and self-organizing systems have specific patterns when in specific circumstances, implying brains are self-organizing as well as giving increased insight into the psychologyRead M oreEssay on The Role of the Reflexive Ethnographer1252 Words   |  6 PagesThe Role of the Reflexive Ethnographer Works Cited Missing The role of the reflexive ethnographer has been constantly defined and redefined since the beginning of the study of anthropology. The use of reflexivity has and will always be questioned in anthropology. Malinowski, who was a pioneer in the field of anthropology, discouraged the use of reflexivity; he, instead, believed that anthropology was scientific and could produce â€Å"concrete evidence† (Malinowski 17). Reflexivity is wayRead MoreNarrative Is The Root Of Some Fields1510 Words   |  7 Pagesis a source to understand and strengthen the identity of the organisation (Kroeze and Keulen, 2013). As a conceptual theme, narrative becomes a self-conscious system and a reflexive field. In other words, the role of narrative in personal lives is to show how it can be utilized effectively for reflexives practices. In light of this notion, personal reflexive capabilities are a process of exposing or questioning our ways of doing. It is the method for individual through the mirror that has ability toRead MoreEssay about Tom Stoppards Rosencrantz and Guildenstern are Dead1471 Words   |  6 PagesRosencrantz and Guildenstern are Dead, a humorous piece of self-reflexive theater that draws upon Shakespeares Hamlet as the source of the story. The actual device of self-reflexive theater is used so well in Stoppards play that it reads like the love child of a play and a compelling critical essay. The play is academic yet conversationally phrased and it deepens our understanding of the original play but also criticizes it. The aspect of self-reflexive theater is used to comment on theater itself but alsoRead MoreIndividual Experience And Reflexivity By Renato Rosaldo s The And Reconstitution Of Self 931 Words   |  4 PagesIndividual experience and reflexivity ought to be utilized inside humanities as an instrument to ponder the society that is consistently mulled over and not a refocusing of consideration on the self. Works, for example, Dorinne Kondo s Disintegration and Reconstitution of Self, utilize the thought of reflexivity as a mirror in which to view the society being considered in an alternate way. This utilization of reflexivity considers the center to stay on the society being concentrated on. A move